|
|
Belle
Epoque |
|
| |
Last Waltz in Sarajevo |
|
| |
alternate title:
Poslednji valcer u Sarajevu |
|
| |
id #
JK-EFG205 |
|
| |
Bosna film ; directed
by: Nikola Stojanović ; |
|
| |
Jugoslovenska
kinoteka language
sr., 1980., 35mm, colour,
trajanje 2h 11min |
|
| |
|
|
| |
Film
slobodno interpretira događaje, pretežno u Sarajevu, između 15. juna
1910. i 15. juna 1914. godine koji su prethodili i izazvali izbijanje
Velikog rata, tj. I svetskog rata, a koji je opet, bitno izmenio odnose
u Evropi, pa i šire. Počinje neuspelim atentatom na guvernera Bosne i
Hercegovine, generala Varešanina i završava se odlaskom u rat vojnika
Austro-ugarske monarhije, neposredno posle atentata na austrougraskog
prestolonaslednika Franca Ferdinanda i njegovu ženu Sofiju. Vreme,
poznato pod nazivom "Belle epoque", jeste vreme uživanja za povlašćene,
ali i vreme razvoja svesti da je potrebno oslobođenje od okupatorske
vlasti. Događaji su dati kroz vizuru nastanka novog tehnološkog
pronalaska - filma. Neposredni učesnici i svedoci događaja su jedan
italijanski, gostujući snimatelj, Fabricio Marineti, vlasnik prvog
sarajevskog bioskopa, prvi bosansko-hercegovački snimatelj i vlasnik
bioskopa "Apolo", Anton Valić i već iskusni Pateov snimatelj Luj de
Beri. Dotiče se i problematika "snimljenih" događaja, pa na zahtev
cenzure premontiravanih, problematika njihove verodostojnosti, tj.
dilema da li film jeste ili nije istorijski dokument.
The film freely interprets events occurring
predominantly in Sarajevo between the 15th June 1910 to the 15th June
1914 that had preceded and caused breaking out of the Great War, i.e.
World War I, which significantly changed relations in Europe and
worldwide. It starts with the unsuccessful assassination attempt of the
Governor of Bosnia and Herzegovina, General Varešanin and it ends with
departure of soldiers from the Austro-Hungarian monarchy, immediately
after the assassination of the Austro-Hungarian Archduke Franz
Ferdinand, the heir to the throne, and his wife Sofia. This period, also
known by the name “Belle epoque“, is the time of great pleasures for the
privileged and also the time of developing awareness that liberation
from the occupying forces is needed. The events are presented through
perspective of the new technological invention – film. Direct
participants and witnesses of the events are an Italian guest
cinematographer Fabrizio Marinetti, the owner of the first cinema in
Sarajevo, the first Bosnia and Herzegovina cinematographer and owner of
the cinema “Apollo“ Anton Valić and the already experienced
cinematographer Louis de Berry. The film addresses the problem of
“recorded“ events that were re-edited on the censors request, the issue
of their authenticity as well as dilemma whether the film is the
historical document or not.
|
|
| |
 |
|
| |
supported by |
|
| |
|
|
|
